Showing posts with label Love. Show all posts
Showing posts with label Love. Show all posts

Tuesday, February 23, 2016

I Love My Country ...



India is my country. 
All Indians are my brothers and sisters. 
I love my country, and I am proud of its rich and varied heritage. 
I shall always strive to be worthy of it. 
I shall give my parents, teachers and all elders respect and treat everyone with courtesy. 
To my country and all my people, I pledge my devotion. 
In their well being and prosperity alone lies my happiness.


These words still ring true in my ears. But when i see what is happening now in the country. I am saddened. Deeply saddened. I wonder if the government yesterday and today realizes what they are doing to the fabric of the nation.
I have hope that we will outcome all this.
One day. Soon!



Thursday, December 20, 2012

AR Rahman - Kadal - Adiye

Aiyo Aiyo Aiyo! These chaps have planned for this murder (thats literal translation for - thittam ittu kolai saiya vanthutanga da). I mean the whole team that ARR has worked with here. I guess in this case, i must ask "enna enge nee kooti poren"? ARR's answer is "listen, follow and you will know".

Sid Sriram, who is this guy? Where did he come from suddenly? Kudos to him. Listen to the lines "unni nambi vaarene" and then difference in "un pinne suthurene". Awesome. That phrase in the song alone, was enough to swoon you. ARR lets Sid out of the box, and the fellow is singing like on an "unplugged" show. Free flow, thats where the magic begins here.

Oh and i am listening to the song, and i just noticed one thing. Every "Adiye" has a loud beat, like a clap, slap, a bang on the drum or in the early stages a forceful finger on the piano. I am sure it wasn't planned, but just a happenstance from the rendering of the song. Sometimes it takes a while for an ARR song to hit you. Adiye did to me, what Aromale did earlier. This song falls in the same genre, i think. The loud music, you would think would drown the song. ARR is sometimes accused of this. But this is a perfect example of the opposite. The loud seeming cacophony, plays in perfect harmony to the singer. Oh, ya, watch out for the volume setting, specially if you are listening with headphones. Be prepared for the "Adi" you get through out the song.


As said before the background singers. ARR, uses a bunch of 'oohs' in the background often during the song. It seems like one of the American R&B being played out to tamizh lyrics. Who would have thought? He experiments, all the time. Even the piano and the drums in the background add to the ambience created in the song. Another perfect love song, rendered completely out of the blue. The background vocals sing louder than Sid, who appropriately tones his voice down, to give the right effect - a love lorn hero. Again simply oooh oooh oooh.

Karky again does a good job, providing the right words, around which this melody is woven. I liked these lines that go "Meena thooki rekka varanja, Vaanam mele nee veesi erinja, Paraka pazhakuriye, Engirunthu vanthayo nee". It all comes together beautifully. Another fantastic masterpiece by ARR.

Lyrics: Karky Vairamuthu
Artist: Sid Sriram

manasa thoranthaye nee
engirinthu vanthaai nee
adi ye.. adi ye..
enna enge nee kootti pora
adi ye.. adi ye..
enge nee kootti pora?
enna enge nee kootti pora

pallanguzhi paatha puriyala
unna nambi vaarene
intha kaatu paya oru aatukutti pola
un pinne suthurene

pallangkuzhi paatha puriyala
unna nambi vaarene
intha kaatupaya oru aattukutti pola
unpinna suththurane

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

meena thookki rekka varanja
vaanam mele nee veesi erinja
parakka pazhakkuriye
engirunthu vanthaayo nee..

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

kannaala kannadi senju
en achchaththa kaatturiye
en thoosi thurumbellaam thatti..
ullam vellayadikiriye..

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

oh.. bhoomi vittu sorgkaththukku
nee vaanavillil paatha virichcha
manasa kayiraakki izhuththu poraaye nee..
sorgam vittu bhoomi vanthaa
meendum kizhakil sooriyan vanthaa
naan vizhichchu paakkaiyilla
kalanju povaaayo nee

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

Wednesday, December 19, 2012

AR Rahman - Kadal - Chithirai Nela

This is another soulful melody in this album. I know this word is being repeated for each song in the album, but i can't but say it - amazing. Once again, the song starts with very little music, virtually only a  slow notes from an organ playing in the background. The notes from the organ tho' slow and steady, but is not frail and equals the voice of the singer.
Vijay Yesudas, is blessed. Blessed with a voice very similar or sometimes exactly like his father. I do know there are a lot of people who don't like Yesudas's voice, but they are also the kind of people who think AR Rahman's songs are repetitive. Instead they find solace in a gana patty or a song from a Anu Malik factory. I love the way Vijay modulates his voice, starting slow, and then slowly increases the tempo as the song moves along. The way he sings "Manithan ninaithal, Vazhi pirakam", is different from "Kangallil irunthe Kaatchigal Thonrum" and increases the pitch to a crescendo when he delivers "Naallai thiranthal Nambikai sirikum". The same goes for how he performs with the line "Chithirai Nila", the first one as if he is crying to a dependent soul, and towards the end with a lot joy and pride, a new awakening.

How does ARR do this ? I have heard stories he let the singers have their freedom to deliver his tunes and he then mixes the interludes, and adds accompaniments to the song. If that is the case, i wonder if he gets the singer to do a retake when he feels some part of the song must now change. No wonder he works best when he is afforded the time. This song like many, is not easy to conceive the way it is. The minute but pronounced fluctuations in the voice and tune at different points, must have required a lot of thought or was an iterative process of delivery. Which is it? I wonder, but in awe of this genius. ARR lets the introductions go on for almost two minutes. Vijay plays around "Chithirai Nila", till about 1:48 into the song. Slow, and what would at first hear thing - boring - turns into another magic.

Only ARR can employ a chorus in a song very effectively. I have seen it many times, this background singers, who finally become masters in their own space, produce the right mix required. I recall, i forget the song now, but you can hear the distinct voice of Srinivas, even tho' at that time he was not a recognized singer. ARR does this often, and unless you pay attention, it will be difficult to even recognize the singers in the background sometimes.


You just love it when all things come together, i am now referring to the lyrics. I am sucker for these kinds of songs. Not that i am depressed and need these kind of words to help. But i love it, the endurance of human spirit, conquering despair or taking control of your own fate, rather than blaming it on someone else. There is good in everything, and everything happens for good - "Kalangalil irunthe Desangal thonrum , Tholviyil irunthe Gnyanangal thonrum". War is not bad after all. It is ok to make mistakes, learn from them. The second is one of my management mantra. How do you describe the moon as alone ? Never heard of that before. Usually people think the night sky is filled with stars. But our lyricist thought he must highlight that moon shines alone and equate it to a human condition, when we suddenly feel lonely, even tho' we are capable of burning bright.

Tuesday, December 18, 2012

AR Rahman - Kadal - Moongil Thottam

How can you go wrong with "Vera enna vennam, Nee pothume"? And ARR doesnt. Solo guitar, thats how he kicks of this soulful melody.

As is usual with Rahman's albums, i start with an instant favourite and slowly make my way to the other songs in the album. I picked this over "Chitirai Nila", only because if i needed more time to write about that one over this. But after listening to other four, over and over again - of course, this song did play every once in a while in some sequence or random order - i gave into "Moongil Thottam". Talk about something growing or rather creeping up on you !!

When i searched for the singers, i was surprised to see Harini's name. She is probably the only old singer (along with Vijay) that ARR has used in this album. She was an instant favourite of mine from "Nila Kaygirathu" (Indira). But Abhay Jodhpurkar was the revelation. I searched the net, and to no avail. Only his facebook page and a few other references to blogs and sites listing him as a singer to this song. Is this his first ? Amazing. Simply Amazing. It appears he is from Chennai, and so his Tamizh pronunciation is perfect as it can be - considering chennai tamizh itself is a bastardized version of the Semmozhi ;).


Vairamuthu as usual has excelled himself - "niranja mounam", "munthaanai eduthu,
nee mella thudaikka, naa unna anaikka" and "ushnam yaashikkum, udalum irukka, otha porvaiyila, iruvarum irukka". What more do you need, for someone to fall in love again?

But the best of all, is how ARR decided that this song does not require a lot of music, and let the voice float through. Most of the song is accompanied by the sounds strum from a lone guitar. He does fill the interludes with light melodious bits from an assortment of instruments. You can clearly hear each one, as they come to the foreground and fade to another. Listen to the few seconds before Abhay starts "Marangal Nadungum", you will understand what i feel here.

And finally the final notes as he chooses to close out the song. He has the Abhay and Harini, singing not together, but with a lag. He had done this same technique before (atleast thats where i first noticed it) in "Theendai" (En Swasa Katre). Simple twists, that make a fabulous song.

Lyrics: Vairamuthu
Artists: Abhay Jodhpurkar, Harini

moongil thottam, mooligai vaasam
niranja mounam, nee paadum geetham
pournami iravu, pani vizhum kaadu
othaiyadi paadhaiyil, unkuda podinada

ithu pothum enaku..ithu pothume
verenna venum nee pothume
ithu pothum enaku..ithu pothume
verenna venum nee pothume

kulanthaang karaiyile, kulikkum paravaiga
siragu valathume, thuliga therikume
mun kovam eduthu, munthaanai eduthu
nee mella thudaikka, naa unna anaikka

ithu pothum enaku......


marangal
nadungum, maargazhi erikka
ratham uraiyum, kulirum irukka
ushnam yaasikkum, udalum irukka
otha porvaiyila, iruvarum irukka


ithu pothum enaku......