Showing posts with label Karky Vairamuthu. Show all posts
Showing posts with label Karky Vairamuthu. Show all posts

Thursday, December 20, 2012

AR Rahman - Kadal - Adiye

Aiyo Aiyo Aiyo! These chaps have planned for this murder (thats literal translation for - thittam ittu kolai saiya vanthutanga da). I mean the whole team that ARR has worked with here. I guess in this case, i must ask "enna enge nee kooti poren"? ARR's answer is "listen, follow and you will know".

Sid Sriram, who is this guy? Where did he come from suddenly? Kudos to him. Listen to the lines "unni nambi vaarene" and then difference in "un pinne suthurene". Awesome. That phrase in the song alone, was enough to swoon you. ARR lets Sid out of the box, and the fellow is singing like on an "unplugged" show. Free flow, thats where the magic begins here.

Oh and i am listening to the song, and i just noticed one thing. Every "Adiye" has a loud beat, like a clap, slap, a bang on the drum or in the early stages a forceful finger on the piano. I am sure it wasn't planned, but just a happenstance from the rendering of the song. Sometimes it takes a while for an ARR song to hit you. Adiye did to me, what Aromale did earlier. This song falls in the same genre, i think. The loud music, you would think would drown the song. ARR is sometimes accused of this. But this is a perfect example of the opposite. The loud seeming cacophony, plays in perfect harmony to the singer. Oh, ya, watch out for the volume setting, specially if you are listening with headphones. Be prepared for the "Adi" you get through out the song.


As said before the background singers. ARR, uses a bunch of 'oohs' in the background often during the song. It seems like one of the American R&B being played out to tamizh lyrics. Who would have thought? He experiments, all the time. Even the piano and the drums in the background add to the ambience created in the song. Another perfect love song, rendered completely out of the blue. The background vocals sing louder than Sid, who appropriately tones his voice down, to give the right effect - a love lorn hero. Again simply oooh oooh oooh.

Karky again does a good job, providing the right words, around which this melody is woven. I liked these lines that go "Meena thooki rekka varanja, Vaanam mele nee veesi erinja, Paraka pazhakuriye, Engirunthu vanthayo nee". It all comes together beautifully. Another fantastic masterpiece by ARR.

Lyrics: Karky Vairamuthu
Artist: Sid Sriram

manasa thoranthaye nee
engirinthu vanthaai nee
adi ye.. adi ye..
enna enge nee kootti pora
adi ye.. adi ye..
enge nee kootti pora?
enna enge nee kootti pora

pallanguzhi paatha puriyala
unna nambi vaarene
intha kaatu paya oru aatukutti pola
un pinne suthurene

pallangkuzhi paatha puriyala
unna nambi vaarene
intha kaatupaya oru aattukutti pola
unpinna suththurane

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

meena thookki rekka varanja
vaanam mele nee veesi erinja
parakka pazhakkuriye
engirunthu vanthaayo nee..

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

kannaala kannadi senju
en achchaththa kaatturiye
en thoosi thurumbellaam thatti..
ullam vellayadikiriye..

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

oh.. bhoomi vittu sorgkaththukku
nee vaanavillil paatha virichcha
manasa kayiraakki izhuththu poraaye nee..
sorgam vittu bhoomi vanthaa
meendum kizhakil sooriyan vanthaa
naan vizhichchu paakkaiyilla
kalanju povaaayo nee

adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora
adiye.. adiye..
enna enga nee kootti pora

Tuesday, December 18, 2012

AR Rahman - Kadal - Anbin Vaasale

Movie songs in India, can be classified in to many different categories, love, sad, angry, happy, patriotic, devotional, etc. These are usually based on the story line, but are also influenced by other factors. But usually the songs tuned for each category, follow some basic patterns. Very few composers are able to transcend these confines and produce something different.

ARR has a special magic, where his composition refuses to stay within these accepted norms, and proceeds to write another unwritten rule in movie music composition. He has done this repeatedly and attempts to rewrite his own rules all the time. Maa Tujhe Salaam (Vande Matharam), is a case in point.

'Anbin Vaasale' is a prayer song, a grace to Jesus. The words literally translate, 'Door to Love' and the singer Haricharan renders this fantastic composition with fervour. The song starts with an appeal, with little or no accompanying music, just a passionate voice calling out to Jesus. Only to be disturbed by a band playing a loud drum, and a set of chorus singers. A lone church bell, sets the rhythm. What would be otherwise a turnoff, instead gives you goosebumps as all of them join this prayer. ARR shows again that he will make his own tunes.


Karky, Vairamuthu's son has done a great job providing the appropriate words to this prayer song. A song, usually, is not fully complete without the words that add justice. This prayer and ARR's composition, takes full advantage of the lyrics. The tune, modulations, and the cadence are amazing, and it shows. How beautifully the lines "kanneerai thekkum en ullathaakil, un perai sonnaal pooputhidatho" are handled. 'Causing you, the listener to join this appeal. Another high point in the song thanks to lyrics and the rendition is when Haricharan sings "Poovin mele, vannam neethane, Verin keezhe jeevan neethaane".

And then again when he closes out with the simple "Anbin Vaasale", it appears he is asking for the door to open up, wide and take him in. And you feel this in your heart. Religion to me has never been about one god, or rather it always has been about one god, no matter his name. This song does to me, what "Faya Kun" (Rockstar), "Ek thu hi bharosa"(Pukar),  "Maula Maula" (Dilli 6), "Ek Omkaar" (Rang De Basanti), or "O Paalanhare" (Lagaan) did. While some of these brought tears, and others joy, it always touched your heart. Like only ARR can do.